Offering a very similar set up to the Paterson branded example, this metal constructed darkroom photographic enlarger unsurprisingly does much the same thing in offering a solution for both 35mm and 6圆 formats, with a geared 72cm column that can be reverse to allow floor or wall projection. Sometimes 50mm or 75mm lens is extra, dependent on which package you opt for Thus an enlarger consists of a projection assembly mounted on a vertical column, that is itself mounted on a horizontal base. So without further ado, let’s showcase what we consider the best darkroom equipment for both fledgling and established film users right now… Best photographic enlargersįor those not already in the know, a photography enlarger is, as it sounds, a device for producing a photographic print larger than the original negative or transparency, done by projecting an image onto a piece of photographic paper. Then again it’s hard to replicate the ‘magic’ of film and printing our own photographs. After all, unlike with digital photography, there is no ‘undo’ or reset button to go back a stage if we mess up. Put simply, we’re seeking out the best darkroom equipment you can currently buy to help you get it right from the outset. Whether you’re new to film photography or returning to it, the chances are you’ll be looking at setting up a whole new darkroom, so this guide is aimed at recommending what you’ll need to get started on that initial set up. At the same time, older enthusiasts, who first dabbled in darkrooms in their youth, are rediscovering the art and the fun of 35mm film.
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However, everything that goes around comes around, and the joys of film usage and film processing are now being discovered by a new generation.
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Looking for the best darkroom equipment to get you set up for developing your own film, and for printing your own photographs? This guide will help you pick the best enlargers, best light for your darkroom, best film developing tank, and more – so that you can get started in with your home darkroom.įor the past 20 years we’ve discussed which equipment you needed to set up your own digital darkroom – or dry lab – with the benefits of being able to eschew the trays of smelly chemicals required in the ‘old days’ of film processing and wet labs, not to mention the trial and error.ĭigital cameras were the new must-have, and in most cases existing film cameras were consigned to cupboards and drawers – or sold off cheaply on the second hand market.